Subject Emerging from the Will to Power

[Wenzel Hablik's Sunset, Mont Blanc] In the second book of Thus Spoke Zarathustra, Friedrich Nietzsche has life confide to Zarathustra: Behold, [. . .] I am that which must always overcome itself. Indeed, you call it a will to procreate or a drive to an end, to something higher, farther, more manifold: but all this

The Post-Political Response and the Splitting in Time

Tony Perez’s Cubao-Kalaw Kalaw-Cubao (1995) begins after a gruesome crime. Some terrible event—criminal rapes kid, criminal kills kid, cop chases criminal, criminal kills cop, criminal kills self (xii)—is briefly sketched in the prologue that serves as “a short history before the novel begins” (prologue title) (xii). The novel itself (separated by a section title, “Kid,

The Atomist Account of Reality

[Image from Common Sense Science] Parmenides of Elea changed the course of early Greek philosophy. His philosophy not only shifted the line of inquiry found in previous accounts (most notably in the Milesians Thales, Anaximander, and Anaximenes) from cosmology to ontology; the ontology he developed also defined all succeeding accounts as the standard to which

Toward a Geopolitical Economy/Ecology

[The statement of purpose I'm using for my MA Review at UCI. Please leave comments and suggestions, especially before my exam (on 15 Feb)!] My main interest is in political economy. I am interested in the ways in which material scarcity (real and imagined) leads to some kind of system or regime, a certain way

An Image of Time (from Repetition) Part 2

[Continues part 1] [Image from the Spanish edition of Jorge Luis Borges' The Aleph] Deleuze clarifies that the past he is referring to in the second synthesis “is not the former present itself but the element in which we focus upon [that former present]” (80). Deleuze characterizes the former present (has been) as a particular

Society With Non-State Power

  [The Tupinambas; Image from wikimedia] In his provocative Society Against the State, Pierre Clastres draws from his ethnographic work to provide a theory of a society that, rather than developing into the state, operates directly against it. By ‘operating against’ I mean, following Gilles Deleuze and Félix Guattari’s reading of Clastres in A Thousand

This Sex Which Is Not One

In “This Sex Which Is Not One” (an essay in the book of the same title), Luce Irigaray critiques the masculine conception of feminine/female sexuality and proposes descriptions that come from a woman. Irigaray explains that within female sexuality, an opposition is set up “between ‘masculine’ clitoral activity and ‘feminine’ vaginal passivity” in which “the

What is Philosophy, Benjamin?

Walter Benjamin begins The Origin of German Tragic Drama with an “epistemo-critical prologue” in which, before he presents his idea of the baroque, he articulates his conception of philosophy, the activity by which he represents ideas and conceptualizes phenomena (such as the baroque).[1] Benjamin does this by charting a dichotomy, in which he situates philosophy

Materiality of Discourses on Decolonization

[The Pintura of Chimalhuacán-Atoyac, an Amerindian "map"] Walter Mignolo’s The Darker Side of the Renaissance explores different practices of representation/expression (literature, history, cartography) and the way in which in their respective registers (language, memory, space) they have been shaped and utilized by the imperial power (Europe, Spain in particular) for its colonizing project (of the

Zone of Social Abandonment, Constructed, (In)Visible

[João Biehl and Catarina in Vita; image by Torben Eskerod from the book] There is a place outside of Porto Alegre in Brazil where families leave behind “undesirable members” (14) (mostly sick) to wait for their death. It is called Vita, what João Biehl, in an ethnographic work, describes as a “zone of social abandonment.”