The graduate students of the Department of Comparative Literature at the University of California, Irvine, invite submissions for its annual conference: Impasse University of California, Irvine Friday, March 2, 2012 Humanities Gateway 1030 Website: impasse-uci.tumblr.com Keynote Speaker: Professor Homay King, Bryn Mawr College In a climate of seemingly insurmountable economic indebtedness, a poisonous and ineffectual…
Category Archives: Oras
time in Tagalog/Filipino, both in the sense of “what time” and “how long”
Tony Perez’s Cubao-Kalaw Kalaw-Cubao (1995) begins after a gruesome crime. Some terrible event—criminal rapes kid, criminal kills kid, cop chases criminal, criminal kills cop, criminal kills self (xii)—is briefly sketched in the prologue that serves as “a short history before the novel begins” (prologue title) (xii). The novel itself (separated by a section title, “Kid,…
[Continues part 1] [Image from the Spanish edition of Jorge Luis Borges' The Aleph] Deleuze clarifies that the past he is referring to in the second synthesis “is not the former present itself but the element in which we focus upon [that former present]” (80). Deleuze characterizes the former present (has been) as a particular…
[Claude Monet's La Gare Saint Lazare (1877)] In the preface to the English edition of Difference and Repetition (1968; 1994), Gilles Deleuze writes “that there is a more or less implicit, tacit or presupposed image of thought which determines our goals when we try to think” (xvi). This is the infamous image of thought that…