In Cinema 1, Gilles Deleuze offers a new philosophy of the image. Arguing that history has seeped into cinema behind its back, with cinema unconscious that it is already doing history’s work,[1] cinema being one of the forces that constitute history,[2] Deleuze develops a notion of the image that does not merely reflect, represent, or…
Category Archives: Sign
, if you follow semiotics, is what everything is: a text.
The graduate students of the Department of Comparative Literature at the University of California, Irvine, invite submissions for its annual conference: Impasse University of California, Irvine Friday, March 2, 2012 Humanities Gateway 1030 Website: impasse-uci.tumblr.com Keynote Speaker: Professor Homay King, Bryn Mawr College In a climate of seemingly insurmountable economic indebtedness, a poisonous and ineffectual…
[This is the preface to my attempt to translate the first chapters of the Filipino novel Cubao-Kalaw Kalaw-Cubao by Tony Perez] [Image of Cubao from Dennis Villegas] I took up the project of translating what at first seemed the whimsical choice of Tony Perez’s 1995 novel, Cubao-Kalaw Kalaw-Cubao, out of a fear and a hope,…
[The statement of purpose I'm using for my MA Review at UCI. Please leave comments and suggestions, especially before my exam (on 15 Feb)!] My main interest is in political economy. I am interested in the ways in which material scarcity (real and imagined) leads to some kind of system or regime, a certain way…
[Claude Monet's La Gare Saint Lazare (1877)] In the preface to the English edition of Difference and Repetition (1968; 1994), Gilles Deleuze writes “that there is a more or less implicit, tacit or presupposed image of thought which determines our goals when we try to think” (xvi). This is the infamous image of thought that…
[The Tupinambas; Image from wikimedia] In his provocative Society Against the State, Pierre Clastres draws from his ethnographic work to provide a theory of a society that, rather than developing into the state, operates directly against it. By ‘operating against’ I mean, following Gilles Deleuze and Félix Guattari’s reading of Clastres in A Thousand…
[The Pintura of Chimalhuacán-Atoyac, an Amerindian "map"] Walter Mignolo’s The Darker Side of the Renaissance explores different practices of representation/expression (literature, history, cartography) and the way in which in their respective registers (language, memory, space) they have been shaped and utilized by the imperial power (Europe, Spain in particular) for its colonizing project (of the…
[A revised version of the “purpose of study” I sent out when applying for the PhD, written with the feedback of professors, friends, and family] I have taken a long and unusual route to decide what kind of work to do for the PhD. Partly this is due to my Third World background. Focused on…
[An example of a signifier that différance slides] [Presented in François Raffoul’s class on Contemporary French Philosophy at LSU in the fall of 2008; contains his additions and corrections] Jacques Derrida begins the essay “Différance” (perhaps the most systematic articulation of the non-concept that, according to Derrida, he “ha[s] been able to utilize” in previous…
This is the second and final written part of my MA exam. In this part, I was asked to evaluate the relevance of Lacanian psychoanalysis to the study of the humanities. Issues that came up during the oral defense include the materiality of language in Lacan (as cited in an article where Lacan interprets that…
