Tony Perez’s Cubao-Kalaw Kalaw-Cubao (1995) begins after a gruesome crime. Some terrible event—criminal rapes kid, criminal kills kid, cop chases criminal, criminal kills cop, criminal kills self (xii)—is briefly sketched in the prologue that serves as “a short history before the novel begins” (prologue title) (xii). The novel itself (separated by a section title, “Kid,…
Category Archives: Writing
[This is the preface to my attempt to translate the first chapters of the Filipino novel Cubao-Kalaw Kalaw-Cubao by Tony Perez] [Image of Cubao from Dennis Villegas] I took up the project of translating what at first seemed the whimsical choice of Tony Perez’s 1995 novel, Cubao-Kalaw Kalaw-Cubao, out of a fear and a hope,…
Walter Benjamin begins The Origin of German Tragic Drama with an “epistemo-critical prologue” in which, before he presents his idea of the baroque, he articulates his conception of philosophy, the activity by which he represents ideas and conceptualizes phenomena (such as the baroque).[1] Benjamin does this by charting a dichotomy, in which he situates philosophy…
[The Pintura of Chimalhuacán-Atoyac, an Amerindian "map"] Walter Mignolo’s The Darker Side of the Renaissance explores different practices of representation/expression (literature, history, cartography) and the way in which in their respective registers (language, memory, space) they have been shaped and utilized by the imperial power (Europe, Spain in particular) for its colonizing project (of the…
[A revised version of the “purpose of study” I sent out when applying for the PhD, written with the feedback of professors, friends, and family] I have taken a long and unusual route to decide what kind of work to do for the PhD. Partly this is due to my Third World background. Focused on…
[An example of a signifier that différance slides] [Presented in François Raffoul’s class on Contemporary French Philosophy at LSU in the fall of 2008; contains his additions and corrections] Jacques Derrida begins the essay “Différance” (perhaps the most systematic articulation of the non-concept that, according to Derrida, he “ha[s] been able to utilize” in previous…
[A demagogue; Image from Teaching American History] What is a regime of signs? A semiotic machine, Gilles Deleuze and Félix Guattari state in A Thousand Plateaus. In “On Several Regimes of Signs,” they call Ferdinand de Saussure’s structuralist linguistic of the sign—the linguistic system that privileges the signifier and its signifying function—semiology—but one regime of…
Fellows, Friends, and Others, I am sending another one of my reports from the field. As stipulated, I am using the species’ own mode of transmission, their own semiology—what is referred to in these parts as “language” (though, technically speaking, they use many “languages” organized in a similar way as a system (i.e. as “language”),…
I’ve been hiding in the forest, in the woods. Up in the mountains. In the wild. I hadn’t gone back to town for some time now. Ryan, as I see, has taken care of this place. He proves, as always, responsible and competent. Ever mindful of the many unhomes that, fortunately or otherwise, we share.…
[Jeremy Bentham's prison design, the Panopticon] [Continues "The Art of Discipline"] (The exercise of) Disciplinary power transformed the regime of power, redistributed, as Foucault puts it, the “entire economy” of punishment and surveillance by which power is exercised (by the State in managing/controlling the social). In the process, (through its ways) a machine is constructed—a…
