Powers/Perils of the Image: The Good, the Bad and the Ugly

In Cinema 1, Gilles Deleuze offers a new philosophy of the image. Arguing that history has seeped into cinema behind its back, with cinema unconscious that it is already doing history’s work,[1] cinema being one of the forces that constitute history,[2] Deleuze develops a notion of the image that does not merely reflect, represent, or

The Post-Political Response and the Splitting in Time

Tony Perez’s Cubao-Kalaw Kalaw-Cubao (1995) begins after a gruesome crime. Some terrible event—criminal rapes kid, criminal kills kid, cop chases criminal, criminal kills cop, criminal kills self (xii)—is briefly sketched in the prologue that serves as “a short history before the novel begins” (prologue title) (xii). The novel itself (separated by a section title, “Kid,

An Image of Time (from Repetition) Part 1

[Claude Monet's La Gare Saint Lazare (1877)] In the preface to the English edition of Difference and Repetition (1968; 1994), Gilles Deleuze writes “that there is a more or less implicit, tacit or presupposed image of thought which determines our goals when we try to think” (xvi). This is the infamous image of thought that

Homo Sapiens 10.1: Rational Complexity of Aggression

Fellows, Friends, and Others, I am sending another one of my reports from the field. As stipulated, I am using the species’ own mode of transmission, their own semiology—what is referred to in these parts as “language” (though, technically speaking, they use many “languages” organized in a similar way as a system (i.e. as “language”),

The Lacanian Subject (according to Fink): Beyond the Bar: Separation

[Mother and Child by Esther Leli] [Continues "The Barred S"] The coming-to-be of the Lacanian subject does not end with alienation. The process of becoming a subject, that is, goes beyond the location—the pointing out/to—of the place where it is not (the place where it can potentially be). Differentiating Lacanian psychoanalysis from structuralism strictly speaking,

The Lacanian Subject (according to Fink): The Barred S: Alienation

Bruce Fink presents in The Lacanian Subject his interpretation of Jacques Lacan’s theory of subjectivity. In contrast to the ego (in its many guises: the individual, the conscious subject, the mirror image, the subject of the statement), Fink states that Lacan’s subject—the subject of the “return to Freud,” the true subject of psychoanalysis—is none other

What does it mean, Ideology?

[Ideology, the strategy game] To take the term literally, a system (-logy) of ideas (ideo-). That is to say, a collection of ideas (either about different things/aspects, e.g. on the economy, on social issues, on political power, etc. or as more or less similar positions (i.e. variants) on a given issue (whose differences are not

Agency in Love

[Image from the movie version of Everything is Illuminated] [A review of the psychoanalytic ontology of the Symbolic, the Imaginary, the Real would be helpful in reading this post.] There’s this passage in Jonathan Safran Foer’s Everything is Illuminated that, in the midst of the romanticism that permeates the book, stands out perhaps as so

Pessimism of Strength

[Image from Cartoonstock] In the preface (the “Attempt at Self-Criticism”) to The Birth of Tragedy, written more than ten years after the main text, Friedrich Nietzsche recapitulates the question he had broached in the work of his youth. He asks, “Is pessimism necessarily a sign of decline, decay, malformation, of tired and debilitated instincts [.

Grievance, Opposition, and Apathy

[This is a quasi-semiotic reading of the UF-Student-Tasered! video found floating on the web on Sept. 17, 2007, to which I was led by a post from Larval Subjects. Also see this brilliant satire by Stephen Colbert.] After the politician answered, in his usual, monotonous, contemplative manner–as though he was still giving his speech–a question