What is Philosophy, Benjamin?

Walter Benjamin begins The Origin of German Tragic Drama with an “epistemo-critical prologue” in which, before he presents his idea of the baroque, he articulates his conception of philosophy, the activity by which he represents ideas and conceptualizes phenomena (such as the baroque).[1] Benjamin does this by charting a dichotomy, in which he situates philosophy

When Bombs Fall

What must it feel, in remote corners of the earth when Western bombs fall on their lands? There you are, doing your chores, getting by on a quiet day, breathing in the breeze as you think about them, the people of your house, nurturing something that happened last time, that moment, resenting something else, many

Marx’s Difference from Hegel

[Peter-Paul Rubens' The Prophet Elijah Receiving Bread and Water from an Angel] In From Hegel to Marx, Sidney Hook traces the intellectual development of Karl Marx within the context of the dominant Hegelian philosophy of his day. While Karl Marx was indeed highly influenced by the systematic, totalizing, and absolute philosophy of Hegel, in the

Homo Sapiens 10.1: Rational Complexity of Aggression

Fellows, Friends, and Others, I am sending another one of my reports from the field. As stipulated, I am using the species’ own mode of transmission, their own semiology—what is referred to in these parts as “language” (though, technically speaking, they use many “languages” organized in a similar way as a system (i.e. as “language”),