In Cinema 1, Gilles Deleuze offers a new philosophy of the image. Arguing that history has seeped into cinema behind its back, with cinema unconscious that it is already doing history’s work,[1] cinema being one of the forces that constitute history,[2] Deleuze develops a notion of the image that does not merely reflect, represent, or…
Tag Archives: Language
[Wenzel Hablik's Sunset, Mont Blanc] In the second book of Thus Spoke Zarathustra, Friedrich Nietzsche has life confide to Zarathustra: Behold, [. . .] I am that which must always overcome itself. Indeed, you call it a will to procreate or a drive to an end, to something higher, farther, more manifold: but all this…
[This is the preface to my attempt to translate the first chapters of the Filipino novel Cubao-Kalaw Kalaw-Cubao by Tony Perez] [Image of Cubao from Dennis Villegas] I took up the project of translating what at first seemed the whimsical choice of Tony Perez’s 1995 novel, Cubao-Kalaw Kalaw-Cubao, out of a fear and a hope,…
[Image from Common Sense Science] Parmenides of Elea changed the course of early Greek philosophy. His philosophy not only shifted the line of inquiry found in previous accounts (most notably in the Milesians Thales, Anaximander, and Anaximenes) from cosmology to ontology; the ontology he developed also defined all succeeding accounts as the standard to which…
Walter Benjamin begins The Origin of German Tragic Drama with an “epistemo-critical prologue” in which, before he presents his idea of the baroque, he articulates his conception of philosophy, the activity by which he represents ideas and conceptualizes phenomena (such as the baroque).[1] Benjamin does this by charting a dichotomy, in which he situates philosophy…
[Some of the PhD programs I applied to wanted to know more about my person and how it has shaped the kind of work that I do. This is the statement of “personal history and philosophy” I wrote in addition to the “purpose of study.”] I was born in cosmopolitan Manila, capital of the Philippines,…
After Marx has laid out the model spatially, he repeats the gesture, as if to say, “Again, again, again . . . Let’s do it again.” But differently, in another way: [Salvador Dali's The Persistence of Memory] Model 2: “Narrative” Human beings, first of all (before they are even “able to ‘make history’”), “live” (the…
What must it feel, in remote corners of the earth when Western bombs fall on their lands? There you are, doing your chores, getting by on a quiet day, breathing in the breeze as you think about them, the people of your house, nurturing something that happened last time, that moment, resenting something else, many…
[An example of a signifier that différance slides] [Presented in François Raffoul’s class on Contemporary French Philosophy at LSU in the fall of 2008; contains his additions and corrections] Jacques Derrida begins the essay “Différance” (perhaps the most systematic articulation of the non-concept that, according to Derrida, he “ha[s] been able to utilize” in previous…
This is the second and final written part of my MA exam. In this part, I was asked to evaluate the relevance of Lacanian psychoanalysis to the study of the humanities. Issues that came up during the oral defense include the materiality of language in Lacan (as cited in an article where Lacan interprets that…
