Tony Perez’s Cubao-Kalaw Kalaw-Cubao (1995) begins after a gruesome crime. Some terrible event—criminal rapes kid, criminal kills kid, cop chases criminal, criminal kills cop, criminal kills self (xii)—is briefly sketched in the prologue that serves as “a short history before the novel begins” (prologue title) (xii). The novel itself (separated by a section title, “Kid,…
Tag Archives: Repetition/Return
[Continues part 1] [Image from the Spanish edition of Jorge Luis Borges' The Aleph] Deleuze clarifies that the past he is referring to in the second synthesis “is not the former present itself but the element in which we focus upon [that former present]” (80). Deleuze characterizes the former present (has been) as a particular…
[Claude Monet's La Gare Saint Lazare (1877)] In the preface to the English edition of Difference and Repetition (1968; 1994), Gilles Deleuze writes “that there is a more or less implicit, tacit or presupposed image of thought which determines our goals when we try to think” (xvi). This is the infamous image of thought that…
[Rembrandt's Saint Paul in Prison] So, coming straight out of our last conversation (about their playfulness, their promiscuity, i.e. their connectivity), we’re still talking about desiring-machines. (Either) Ryan and I (or, more precisely: /). (Or) Aless and /. S/he asks me (one of them, ‘can’t remember who) (/ suspect after the Dionysian celebration that commenced,…
