In Cinema 1, Gilles Deleuze offers a new philosophy of the image. Arguing that history has seeped into cinema behind its back, with cinema unconscious that it is already doing history’s work,[1] cinema being one of the forces that constitute history,[2] Deleuze develops a notion of the image that does not merely reflect, represent, or…
Tag Archives: Subject
[Wenzel Hablik's Sunset, Mont Blanc] In the second book of Thus Spoke Zarathustra, Friedrich Nietzsche has life confide to Zarathustra: Behold, [. . .] I am that which must always overcome itself. Indeed, you call it a will to procreate or a drive to an end, to something higher, farther, more manifold: but all this…
[Image from Common Sense Science] Parmenides of Elea changed the course of early Greek philosophy. His philosophy not only shifted the line of inquiry found in previous accounts (most notably in the Milesians Thales, Anaximander, and Anaximenes) from cosmology to ontology; the ontology he developed also defined all succeeding accounts as the standard to which…
[Continues part 1] [Image from the Spanish edition of Jorge Luis Borges' The Aleph] Deleuze clarifies that the past he is referring to in the second synthesis “is not the former present itself but the element in which we focus upon [that former present]” (80). Deleuze characterizes the former present (has been) as a particular…
[Claude Monet's La Gare Saint Lazare (1877)] In the preface to the English edition of Difference and Repetition (1968; 1994), Gilles Deleuze writes “that there is a more or less implicit, tacit or presupposed image of thought which determines our goals when we try to think” (xvi). This is the infamous image of thought that…
In “This Sex Which Is Not One” (an essay in the book of the same title), Luce Irigaray critiques the masculine conception of feminine/female sexuality and proposes descriptions that come from a woman. Irigaray explains that within female sexuality, an opposition is set up “between ‘masculine’ clitoral activity and ‘feminine’ vaginal passivity” in which “the…
[Some of the PhD programs I applied to wanted to know more about my person and how it has shaped the kind of work that I do. This is the statement of “personal history and philosophy” I wrote in addition to the “purpose of study.”] I was born in cosmopolitan Manila, capital of the Philippines,…
Karl Marx (with Friedrich Engels) lays out his method of revolutionary critique in The German Ideology. Not a professional philosopher (like Kant and Hegel, or Feuerbach) and more like an intellectual journalist absorbed in political economy committed to the Revolution, Marx, drawing from the philosophical currents of his day (Hegel’s idealism and Feuerbach’s materialism), nonetheless…
[Paul Cézanne's Still Life with Basket of Apples] Karl Marx explores his relationship with Ludwig Feuerbach in the list of theses that he wrote about the master (the “Theses on Feuerbach”). In From Hegel to Marx, Sidney Hook generously provides the context of these theses (reading them alongside The German Ideology). (The majority of the…
[Frederick II, enlightened Prussian monarch, conversing with Voltaire, French philosoph; Image from Beowulf's Tomb] In his succinct and accessible Hegel, Peter Singer explains the basics of Georg Wilhelm Friedrich Hegel’s philosophy. One of the key concepts discussed is the idea of the progress of history, or, better yet, of history as progress, i.e. of history…
